Conservation conditions and humidity
Temperature and humidity in a storage or display space. A prolonged drift damages works with no dated event, which is where cover gets argued.
The classic museum benchmark is 50% relative humidity and 20°C, within a few points; since 2014 the Bizot Group guidelines accept a stable band of 40 to 60% and 16 to 25°C for loans. Beyond that, wood swells, paint lifts, paper spots with mold. The loss is rarely an instant: an air handling unit fails over an August weekend, humidity climbs, and the damage is found ten days later. The insurance difficulty sits on the line between a sudden event, which is covered, and gradual deterioration, which fine art forms often exclude together with inherent vice and wear. What the insured can produce makes the difference: logger records of temperature, alarms, the maintenance log, condition reports before and after. Without continuous recording the adjuster can date neither the failure nor its effects. Basement storage and the containers of a freeport are particularly exposed.
Textbook case: in a 900 square meter storage room the air handling unit stops for nine days in August. Relative humidity goes from 50% to 78%. One hundred and forty prints, insured for €310,000 in total, show mold; restoration is priced at €62,000. The loggers prove the failure and the insurer treats it as a sudden event.
museum humidity damage, relative humidity artwork storage, climate control failure art, gradual damage to artworks
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